His revolutionary methods changed existing approaches to oil paint, pastel, watercolor, etching—even interior design and the decorative arts. A label on the back, perhaps in Whistler’s hand, reads: ‘“Nocturne in Blue Green/Nocturne en Bleu vert— “/J.A.M. The influence of Japanese woodblock prints is evident from the relatively small range of colours and the butterfly device at the lower centre, which Whistler used as his signature.Signed with a butterfly and dated‘71’ in a cartouche at bottom. The tower of Chelsea Old Church is just visible on the right, and a fisherman stands in the foreground looking out to a low barge. Whistler adopted the term ‘Nocturne’ in 1872 on F. R. Leyland’s suggestion. Please review Details. Nocturne, Blue and Silver: Battersea Reach, 1872-1878.

The frame, designed by Whistler, is also signed with a butterfly motif.This is probably the earliest of Whistler’s ‘Nocturnes’. View in Augmented Reality. Title: Nocturne, Blue and Silver: Battersea Reach; Creator: James McNeill Whistler; Date Created: ca.1872 - 1878; Physical Dimensions: w62.9 x h39.4 cm; Type: Paintings; Rights: Isabella Stewart Gardner Museum, Boston; Get the app. and cat. Nocturne: Silver and Opal--Chelsea By same artist.

Nocturne: Blue and Silver--Battersea Reach James Abbott McNeill Whistler 1870-1875. The flat, expressive, and radically simplified forms in his Venice pastels, and his use of fluid blue and gray pigments in his abstract nocturnes, altered how his contemporaries like James Abbott McNeill Whistler changed the course of art history with his radical techniques and adoption of Asian design principles, which emphasized a two-dimensional flattening of painted forms and their arrangement into abstract patterns. James McNeill Whistler - Nocturne- Blue and Silver—Bognor - Google Art Project.jpg 2,424 × 1,392; 1,007 KB. Back Forward. He immediately rushed to his studio and painted a sunset (Whistler painted this view from Battersea Bridge looking across the Thames towards Chelsea. Isabella Stewart Gardner Museum. National Museum of Asian Art Washington, DC, United States. The industrial chimneys of Battersea on the left are balanced by the lights of Cremorne pleasure gardens on the other side of the Thames. Ralph Wormeley Curtis . Close. Nocturne: Blue and Silver--Battersea Reach James Abbott McNeill Whistler 1870-1875. Nocturne From related movement. Nocturne: Blue and Silver - Chelsea; Artist: James Abbott McNeill Whistler: Year: circa 1871: Medium: Oil on panel: Dimensions: 50.2 cm × 60.8 cm (19.8 in × 23.9 in) Location: Tate Collection, London: Nocturne: Blue and Silver – Chelsea is a painting. View in Augmented Reality. He brushed thinned pigment across the canvas in bold, sweeping strokes, modulating the tone of the blue only slightly to create the subtle gradations that separate river, shore, and sky.

James McNeill Whistler (Lowell, Massachusetts, 1834 - 1903, London) Nocturne, Blue and Silver: Battersea Reach, about 1872-1878. Nocturne: Blue and Silver--Battersea Reach. Oil on canvas. Boston. Exh. © 2020 Isabella Stewart Gardner Museum

Print; Object Details Artist James McNeill Whistler (1834-1903) Previous custodian or owner William George Rawlinson (1840-1928) (C.L. Patrick Keiller National Museum of Asian Art. Share Icon.

Recommended . At the Goupil Gallery in 1892, however, the picture appeared as ‘Nocturne Blue and Silver— Chelsea’.

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. James McNeill Whistler - Nocturne- Blue and Silver—Battersea Reach - Google Art Project.jpg 2,519 × 1,635; 2.01 MB. 1880Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891Whaler and Fishing Vessels near the Coast of Labrador, ca. Isabella Stewart Gardner, 1888. He brushed thinned pigment across the canvas in bold, sweeping strokes, modulating the tone of the blue only slightly to create the subtle gradations that separate river, shore, and sky. Oil on canvas, 39.4 x 62.9 cm (15 1/2 x 24 3/4 in.) Whistler was living in Chelsea, across the Thames from Battersea, when he painted this nocturne. John Singer Sargent. Recommended . James Abbott McNeill Whistler changed the course of art history with his radical techniques and adoption of Asian design principles, which emphasized a two-dimensional flattening of painted forms and their arrangement into abstract patterns. canvas .