In 1998 Cuban comedians did a tribute to the show within the program "¿Y tú de qué te ríes? Of Cubavision, and took to the air a remake starring, among others, by Ulises Toirac as Trespatines, Carlos Otero as the Judge, Geonel Martin as Secretary, and Edith Massola as Nananine. In those times actors did not receive income from the copyrights of the program, as it happens today, for this reason Abel Mestre, (who had been executive of company The radio show would return to life in Mexico in the mid-1960s when Monterrey-based radio station XEFB-AM began transmitting episodes recorded in Cuba. A comedy series about a wacky courthouse and Jose Candelario Trespatines, a chatty regular at the court of a honorable judge who keeps sending him back to jail (but somehow he keeps getting...
(And what are you laughing at?) Soon they found In 1947, “La Tremenda Corte” like several other programs of its time, was transferred to rival station In 1955 the program received a second wind, becoming the TV space comedy “The show of Pototo & Filomeno” CMQ through TV, where Leopoldo Fernandez (“Pototo”) made a very similar to “Tres Patines” with again his teammate Anibal de Mar (Filomeno). In the television version produced in Monterrey between 1966 and 1969: The TV series, however, also suffered from the limitations of the age, like the painted-cardboard scenery and the Of the original radio performers, only Leopoldo Fernández (who also wrote the scripts in the absence of Vispo) and Aníbal de Mar reprised their roles, which were central and irreplaceable to the plot. Both Vispo as the production team were given the task of finding local comedians who would shed an humorous light, in 1941 (during WWII) and help people to forget the hardships of that time. The duo ha… Then in 1961 a decree was issued in the island placing all theater, radio and TV troupes under the purview of the state's Censorship Commission.
In one famous sketch, he pretend that he sells a parrot "speaking exceedingly". Mimí Cal (Nananina) and Adolfo Otero (Rudecindo), two regulars from the original series, by then exiled in Miami, declined the offer to participate. This gives to understand that the character basically spend most his time as a condemned in jail. Their roles were taken by Norma Zúñiga (as Nananina) and Florencio Castello (Rudecindo). Leopoldo watched it, showed it to the audience and went to the wall as he said with his characteristic ironic humor: – “Allow me — I want to hang this one myself…”. All this occurred parallel to his work with “La Tremenda Corte”, but much of the public still identified with their radio characterizations. When the customer complains that the parrot doesn't speak, he explains to the judge that the one who speaks exceedingly is himself, Tres Patines, not the parrot. The joke, which spread far and wide and was repeated everywhere, was said to end with an assertion that this line had caused his detention — and would cause his later self-exile from Cuba in the same year.
The judge is bipolar: patiently he gives everyone a turn to speak and expose what happened, but he is also easily offended and fines people at every chance. They are crimes in which Jose Candelario “Tres Patines” has made victim to Rudecindo or Nananina with some of his thefts, deceits or knavery, and these demand him before a judge in that correctional court. The expression "A la Reja" (“To the bars!”) —typical of Tres Patines whenever they called him to appear, it was said in Cuba to those who were in prison already, in other words, was locked up in his cell, and in addition people came to look for him, could be a relative, his lawyer, or whoever. Then, so that the prisoner approached the bars because they wanted to talk to him, it was said to him. The program presents a court where absurd situations arise, which always conclude in the Court of La Tremenda Corte, of no specified location (although some clues might say HABANA). However, this story was later denied in Miami by Fernández, who, on hearing it from an alleged theater hand present at that performance, corrected the storyteller with visible displeasure and said: "Gentlemen, had I done and said those things, I would not be here to tell you the story… ". ” -. “La Tremenda Corte”, was the work of this clever and prolific comedy writer Castor Vispo definitely fused with speech and Cuban folk psychology.
Beginning in 1960 production took a drastic turn for the show as a result of the The show had been adapted previously to play in local theatres to some controversy, since the actors (Leopoldo Fernández especially) were vocal political critics both off and on stage.
Meanwhile, Leopoldo Fernández was cast in the Mexican film In mid-1969 Panamericana Televisión (Channel 5 Peru) bought all 260 filmed chapters of and the rights to One final adaptation for Panamericana was the obscure, less fortunate Miami’s Mega television Canal 22, announced that from January 15, 2007 would have a daily emission of the series, in south Florida. With Leopoldo Fernández, Aníbal de Mar, Marco de Carlo, Eny González. The radio broadcasts were warmly welcomed by the audience.